Sunday, December 18, 2016

Analysis - Regarding the Last 18 Months

So, during the past year-and-a-half, Tracy has:

1. Allowed Bribery to escape from Ace Tower
2. Didn't bring charges against Mysta for her interference in the raid on Ace Tower (see above)
3. Allowed production of the "Midnite Mirror" film to continue after 2 confirmed murders took place on set
4. Prepared to leave Cuba without recovering the X-Ray glasses (he didn't know that Ivanova had them when they got on the plane)
5. Left Europe without confirming that Abner Kadaver is dead
6. Gave Blaze Rize - a wanted fugitive - a "couple of days" to put her affairs in order before taking her into custody
7. Allowed Selfy to sneak up on him, knock him unconscious and take his police equipment
8. Announced Sam Catchem's personal family medical issues to both the Mole and Fritz Ann.

Usually one doesn't think of "poor judgement" as a character trait that is common in the hero of a long-running piece of serialized fiction, and the creative team has certainly made a bold choice by giving it to Dick Tracy.
More to come.

Thursday, November 17, 2016

One Day at Diet Smith Industries...

November 17th, 2016:

Earlier That Day:

"Stellaluna! Retik! I'm going out for a drive!" Mysta called out.

Retik looked up from his tablet. "Oh, OK. Did you want both of us to come with you, or just one of us?"

"Neither," Mysta replied. "I want to go by myself."

"That's... That's not really how this supposed to work, Mysta." Retik tried to keep his voice soothing.

"I can go out if I want to," Mysta responded. "I'm not a child."

Stellaluna entered from the other room. "But, Mysta, you only have memories of the past three years of your life or so, so in a way-"

"It doesn't matter!" Mysta's eyes flashed. "I don't need handlers!"

"That is literally our ENTIRE job description." Retik pointed out.

"I just need to get away from the compound, all right?" Mysta pleaded.

"Need to?" Stellaluna asked. "Is there an emergency?"

"No, I want to get some magazines." Mysta answered.

Retik and Stellaluna shared a glance.

"Mysta, we have the internet here." Retik explained. "You can read magazines online."

"Or we could have them delivered." Stellaluna offered.

Mysta sighed in frustration. "I just want to go out and clear my head! Is that too much to ask?"

Retik leaned into Stellaluna and whispered in her ear. "Do you want to...?"

"Yes, I'll do it." Stellaluna responded quietly. She approached Mysta and put a comforting hand on her shoulder. "Mysta, honey, didn't you tell us recently that you've been receiving some kind of mental communications from an unknown source?"

"Yes," replied Mysta.

"Or, to put it another way, there are unwanted distracting thoughts entering your mind that you can't control. Right?"

"That's another way of putting it, yes." Mysta responded.

"So," Stellaluna made her voice as plaintive as possible, "Don't you think that it's probably not a good idea for you to be driving a car? That it could be dangerous?"

Mysta threw off Stellaluna's hand. "Look, I guess nobody told you, but I'm Mysta Chimera. That means that I get to do whatever I want, regardless of the consequences, because I'm cute and everybody loves me for some reason. Now, get out of my way before I scrooch the both of you!"

Mysta stormed off. Stellaluna and Retik watched her go.

"Remind me again why we like her?" Stellaluna asked Retik.

"Well, in my case, it's because of those thigh-high boots. And her tits."

"Oh, right." Stellaluna acknowledged. "And I have such fond memories of the Moon Era that I don't care what she does as long as there's Moon stuff going on. Oh, well. She's not our problem now..."
END

Saturday, October 22, 2016

Analysis - What's So Great About Mysta?

The current storyline in the Dick Tracy comic strip features Mysta Chimera (the "new" Moon Maid) in a prominent role. I'm not a fan of this character, and I genuinely don't understand why she's popular, other than the superficial reason that she's drawn sexy and she gratifies the desires of those fans of the Moon Era to see it acknowledged.

So, I posted this question to the Dick Tracy Fan Club Facebook page, also listing what I see as Mysta's character flaws. Some people responded, with Dan Forrester composing a lengthy response in defense of Mysta.

Rather than post my counter-argument in the comments section of that page, I decided to place them here. Mr. Forrester's argument is in italics.



Well, Dave, you really dumped the truck. :) Let's see, Mysta was kidnapped, had her mind destroyed and replaced with false memories, experiments were performed on her body, and she was manipulated by criminals. A character who's undergone such abuse might deserve a tiny bit of sympathy and understanding, no? That's a big reason why Diet took her under his wing, because he felt so horrible and guilty about what had happened to her. So I would start with that as an explanation for why fans like her.

Interesting. This pre-supposes that Glenna WAS kidnapped and altered against her will. We’ve not been shown any evidence of that. I consider it just as likely that Glenna volunteered for the procedure, even if Ghote and Sail (and Bribery) didn’t make clear the full extent of what the transformation would be. It was clearly established that Glenna wanted to be like Moon Maid, and I find it entirely plausible that she would have agreed to any offer to MAKE her like Moon Maid. She MIGHT not have been told that she would lose her personality and memories, but it’s equally possible that she WAS told and agreed anyway. Without knowing exactly what methods were used to change her brain, I have to assume that the process would be more successful with a willing participant (as is the case with hypnotism) than with someone who was resisting the process.

Of course, this is all speculative because we haven’t been shown/told the exact circumstances of Glenna’s transformation into Mysta. Mike Curtis either hasn’t fully decided what it is yet, or he’s being deliberately ambiguous.  

That being said, I do feel some sympathy for Mysta, in the same way that I would sympathize with someone who was suffering from severe memory loss, or had just awakened from a long coma, or was returning to society after an extended period in captivity. However, feeling sorry for a character isn’t the same as liking them.

Since she discovered what she has become, Mysta has established her own unique identity and has spent a lot of time developing a career in acting and writing. She's trying to improve herself and make her way in the world, so I can't accept the "irresponsible" charge.

Has she, though? What has she done to establish herself as a unique individual, rather than just a copy of Moon Maid? Yes, she took the acting job, but that’s because she doesn’t have any education, qualifications, or skills that could apply to other work. Furthermore, we were never shown if she was successful in that job. Did the “Mysta” movie do well? Was it warmly received by critics or audiences? Are they making a sequel?

I also haven’t seen any evidence that she’s actually trying to improve herself. She doesn’t seem to have significantly greater mastery over her super-human abilities, and she still doesn’t seem to understand how the world works. If she IS trying to improve herself, she’s making extremely slow progress, which indicates that she’s either not trying very hard or is genuinely dim-witted.

Beyond that, she hasn’t shown any other goals or ambitions. This is a fundamental flaw in Mysta as a character, since I have no clear idea what she actually WANTS. Does she want to achieve a better understanding of society and join it, or does she want to live in isolation at Diet Smith’s compound with occasional visits from Honeymoon? I get the impression that she tends towards the latter, which I don’t consider to be admirable.  

"Impulsive?" I don't know about that, either. Yes, she acted that way when she was still under Dr. Sail's malicious control, what with her vigilante work and scheming against Sparkle. But not since. Learning who she really is and working hard to establish a new identity for herself has plainly had a sobering effect on her life.

"Naive?" Perhaps a little and definitely so before she learned the truth about her identity. However, she's definitely awake now to the evil people who used her for their twisted schemes. I'd rather have Mysta be a little too trusting than bitter, angry, and vindictive, which humanly speaking she probably has a right to be.

I disagree. She’s been consistently impulsive AND naïve. Upon sensing that Honeymoon was in danger during the Fall of the Black Hearts, she commandeered a helicopter and flew to the 52 Gallery. She didn’t consider other options or how she could actually help once she arrived. That’s being impulsive.

Likewise, her decision to confront Rep. Bellowthon was impulsive AND naïve. If she had any understanding of how the world works, she would know that showing up unannounced at the office of a Congressional Representative would not help her achieve her goals, but she did it anyway, apparently without considering the consequences. Likewise, if she had stopped to think about she was doing, she would know that arriving in an outfit that amounts to a one-piece bathing suit, thigh-high boots and opera gloves is not an effective way to be taken seriously in the halls of government. But she either didn’t consider the implications of what she was doing, or genuinely didn’t understand those implications. 

So I stand by my characterization of impulsive and naïve.

"Prone to emotional outbursts?" You mean like, say, most women in the world?

Well, if that’s not the very definition of chauvinism, I don’t know what is.

 Yes, Mysta gets emotional at times. That's bad because....? Seeing her cry tells us she has real feelings, and expresses those feelings in the way most young women do. It's understandable that she has become emotional at times, given the traumatic and life-threatening experiences she has endured over the last few years. And all of that has certainly contributed to feelings of empathy for the character.

Emotional outbursts would be fine if she wasn’t being presented as one of the Heroes. B.O. Plenty is prone to crying, and it’s presented as humorous. Readers may like B.O. and think well of him (we may even recognize that he has the CAPACITY for heroism when the situation calls for it), but we’re not expected to think of him as a force to be reckoned with or as a role model to other characters in the strip.

Regarding Mysta's deeds since she discovered what the Blackhearts had done to her, I only recall two times when she "showed up at a situation." On one occasion she went to Honeymoon's house late at night because she telepathically picked up on Honeymoon's extreme distress, which her parents knew nothing about. She served a very good purpose on that occasion in the way she helped Honeymoon through the significant physical transformation she was undergoing. She didn't "accomplish nothing" in that episode. Far from it.

The only other time I remember her "showing up" was at the conclusion of the Blackhearts story last year. The reason she went to the Blackhearts HQ was because Honeymoon had telepathically signaled her that she and Annie were in mortal danger. Mysta didn't just "show up" on that occasion with no purpose to "accomplish nothing." She came to rescue her friends from physical harm. She didn't kill anyone but disabled a bunch of bad people and helped the police secure the building as it turns out. I presume this is why she wasn't accused of any wrong doing when it was all over. She started crying at the end of that story mostly because Bribery had used a weapon against her and insulted her and confused her a bit. So I think we can excuse her for that, if she can be allowed to cry?

She showed up at the Wheaten farm and accomplished nothing except drawing more villains to the scene, further complicating matters for Tracy, the police, and their allies. She did nothing to help in that situation, or during the case of Tabby Angus. 

She showed up at Rep. Bellowthon’s office and complicated matters there as well. If she hadn’t taken it upon herself to confront Rep. Bellowthon, there would one less suspect in the Representative’s death, and Tracy and Sam wouldn't have to take up their time interviewing her.

As far as the Fall of the Black Hearts is concerned, that was her most unforgivable transgression. She trespassed into the 52 Gallery, interfered with a combined FBI/MCU operation, assaulted an undercover police officer, and enabled Bribery (a wanted felon and a known murderer) to escape. Did readers actually see her doing anything useful during that adventure? Did she stop any bad guys or protect anyone from harm? She didn’t even achieve her goal of rescuing Honeymoon. Instead, Honeymoon had to protect HER.

Consider this- If Mysta HADN’T shown up at the 52 Gallery, Lee (as T-Bolt) could have delayed Bribery’s escape long enough for him to be captured. Failing that, they could have escaped together in Bribery’s helicopter, thus allowing Lee to continue monitoring and reporting on his activities. Instead, Mysta arrived and interfered, and as a result Bribery got away. She should be in Federal Prison, but she’s not because Team Tracy has decided that she’s One of the Good Guys and expects readers to think of her in the same way.

As for criticizing fans for liking her looks, you're kidding, right? Are we adults here? Would you prefer that Mysta be plain looking, wear no makeup, and dress in tent clothes? Isn't in the nature of a daily strip that we should like the way the characters look? Are we to infer from your comments that women who like to see Superman in his costume are also being "salacious?" Yes, being "cute/sexy" is one reason why I and other fans like Mysta. Why is that a problem?

It’s not a problem in and of itself. Tess and Lizz and Lee are all physically attractive female characters, but they all also have OTHER positive qualities that make them valuable additions to the strip. If the only role that Tess had ever played in the strip was to look pretty and get captured so Dick could rescue her, I would condemn that as sexist as well. 

Furthermore, there’s nothing wrong with liking eye-candy. But, if that’s the ONLY reason why a reader or audience member likes (or, indeed, is expected to like) a certain character, then that’s shallow and it should be acknowledged as such. I recall readers on Facebook and gocomics comments asking for more of Venus, despite the fact that Venus has no identifiable personality traits other than “she’s a villain”. They wanted more of her, though, because she’s a sexy dame.

For a good period of time, the most popular TV show in the world was “Baywatch”. Pamela Anderson’s character was certainly there to look good in a bathing suit and bounce around. Of course, C.J. also had the redeeming quality of being a good lifeguard, so viewers could argue that her appeal wasn’t based SOLELY on her appearance. If Mysta had other positive qualities, I’d be less condemnatory of her and her fans.

As for "nostalgia," probably the main reason the Dick Tracy strip survived through all the lean years is exactly because of nostalgia, a longing for the excellent work Gould did which by then seemed a million miles away. Now that the strip has been taken over by talented, imaginative, award-winning people, is it really surprising that so many fans are glad that a classic character like Moon Maid, now reborn, has been restored? Dick Tracy is an 85 year old comic strip. Nostalgia carried it through the dark times, and nostalgia is what carries it now. There is nothing odd or unusual about fans liking certain characters when they were young and being glad they have been restored.

Again, nostalgia is fine, but it can’t be expected to carry a strip. For all the flaws during their tenures on the strip, I can’t imagine Kilian or Locher sitting at their desks thinking “It doesn’t have to be good, the fans will like anything as long as it has Dick Tracy in it”. I’m willing to believe that they (and the current Team Tracy) are working at the best of their abilities, or at least at the best that the medium and the realities of syndicated newspaper content will allow. 

Just because Mysta reminds a reader of a previous time in the strip that the reader liked does not make Mysta a good character. She needs to be evaluated on her own merits, which (in my estimation) are few.
Granted, I don’t think highly of the Moon Era in general. It represents Gould at his most divorced from reality, and a lot of it is meandering, unfocused, and nearly unreadable. Bribery, as a villain, is not a character as much as he was a collection of affectations. Moon Maid, while potentially complex and interesting, was mostly just used as cheesecake and comic relief. The running gag of her not being able to cook, for example, was a wildly sexist and out-dated premise, even in the mid-sixties.

I’m willing to be more forgiving of Gould, though, as he was operating in a different time. The current Team Tracy should know better.

I would contrast Mysta with another amateur crime-fighter that appeared in the strip- Brighton Spotts. Brighton was occasionally helpful, but he caused as much trouble as he helped to resolve. The other characters considered him to be a nuisance at worst, well-meaning but ineffectual at best, and readers were meant to think the same way.

If Mysta was treated like Brighton (irrational, irresponsible, potentially dangerous, and in need of guidance), that would be more palatable to me. Instead, she’s praised, her transgressions are excused, and Honeymoon declares Mysta to be her hero, for no comprehensible reason.

Sunday, August 28, 2016

Analysis - Three Panels A Day



                I have several frustrations with the currently unfolding storyline in the Dick Tracy comic strip, which involves Abner Kadaver attempting to kill Dick Tracy. Kadaver has followed Tracy and his wife around Europe, eventually kidnapping Tess in order to force a confrontation with Tracy at Reichenbach Falls in Switzerland (the same place where Sherlock Holmes and Professor Moriarty – who were real people in the Tracy-verse – had their final battle).

                In this article, I will only address the issue of pacing, and the decisions about what the readers are shown versus what they are not.

                The storyline’s (presumed) climax at the Falls has been especially drawn-out. Before this climax became the focus of the strip’s attention, readers were also shown Rikki Mortis (Abner’s assistant) fulfilling murder contracts on Abner’s behalf back in Dick Tracy’s city, and the attempts of the MCU to find out who she was and capture her. Just before the action shifted to the Falls, Rikki was shown driving her “vampire car” past police headquarters.

                In the strip for Sunday, August 28th, Rikki was shown watching a news report about Abner’s disappearance at the Falls. The previous Friday’s strip indicated that she is still at large.

                That’s a problem- Rikki drove her LARGE, NOISY, UNIQUELY EQUIPPED AND EXTREMELY NOTICABLE VEHICLE RIGHT PAST POLICE HEADQUARTERS! The MCU, who were now aware of her identity, KNEW THAT SHE WAS THERE, DRIVING THAT CAR! And yet, somehow, she managed to avoid capture.

                This prompted me to post a comment on Facebook Dick Tracy Fan Club Page, in which I wrote “So, while all this is going on at the Falls, I'm assuming that Sam and Lizz have allowed Rikki to escape?” Admittedly, this is a bit of snark on my part, but is speaks to my general frustration with how often the dangerous criminals are allowed to escape (and how long they are shown to remain at large) under the current creative team. It happened with Mrs. Flattop, the Nitrates, Abner himself, Blackjack, and Mr. Bribery. The villain gets away, Tracy says “I don’t think we’ve seen the last of them”, and then on to the next adventure.

                Frankly, it makes our heroes appear incompetent. Rikki drives her murder car past police HQ, and readers aren’t shown that the police give chase. We don’t see how Rikki evades them. Does she have access to some secret roads/passages that the police don’t know about? Is she somehow able to disguise her car? Does she create a distraction or some other crisis that diverts police attention from catching her? The readers don’t know. All we know is that she’s still at large.

                This was confirmed by the strip’s writer Mike Curtis in a response to my comment. He wrote “No, but I can only show three panels a day. Rikki is still on the loose, but right now we're following Tracy.

                This is immensely frustrating.

                I understand certain realities about the business of publishing a daily syndicated newspaper comic strip. For example, space is limited. Three panels a day isn’t much. This is why pacing, and deciding what to show and what not to show is so vitally important. 

                Yet, despite the limitation of only three panels a day (six on Sundays), readers were presented with a week of strips that consisted only of Tracy and Abner verbally sparring. It SEEMED to be building to a Sunday full-color reveal of Abner’s hideous real face, but readers only saw shadow and a bulging eyeball. Then, the week after Tracy and Abner disappeared, we got panel after panel of on-lookers explaining how they thought they were watching a re-enactment. We also got several panels of a new character – Bulwer Lytton – looking pensive.

                This is what readers were shown INSTEAD of Rikki’s exciting escape. We also didn’t see Tess being found, or escaping her bonds and finding help. That could have been very interesting, as it would have shown Tess’ resilience and resourcefulness in unfamiliar surroundings. But we didn’t see that.

                The strip from Sunday August 28th consists primarily of the news reporter Helen G. Wells (wink wink) explaining what has happened over the past 2 weeks. It almost entirely reproduces the information from the previous day’s strip. If space is at a premium, then why so much repetition? I understand the value of building suspense, but I don’t find any of this suspenseful. It feels like stalling or padding. 

Of course, another reality of the daily newspaper publishing world is that fewer people read the newspaper on Saturday than on other days of the week. On the comics page, that often means that Saturday strips can’t have anything consequential happen, especially in on-going serialized story strips. In my opinion, though, that’s allowing the tail to wag the dog. Chester Gould stated in interviews that he believed that one of his main functions as a syndicated cartoonist was to drive sales of newspapers. Don’t read (that is, buy) the paper on Saturday? Then you miss an important part of the story. 

This mentality also fails to take into account one of the modern developments in the publishing world, which is the availability of online content. Various newspaper websites keep an archive of the daily comics, so readers can easily go back and catch up. Gocomics’ archive goes back many years. From a storytelling standpoint, there’s no reason to stall or draw out a story just so that readers don’t miss something. 

                As of this writing, it looks like the strip is going to flirt with the idea of how the characters react to the idea that Dick Tracy is dead. It’s unknown how long that will play out, or how the revelation of his survival will be handled. Will Tracy confirm (when he resurfaces) that Abner is deceased? Or will it be another case of “I didn’t see a body. He might be back”? Time will tell. My primary concern is about what we WON’T see in the meantime.

Saturday, June 25, 2016

Analysis - The Trouble with Blaze Rize



                I haven’t been shy about my dislike of the way the character Blaze Rize has been handled in the Dick Tracy comic strip. I thought it might help me organize my thoughts to write down the nature of my displeasure.
                Blaze Rize was introduced during the “Second Mr. Crime” storyline. She is the sister of the character Hot Rize, who had been an accomplice of Flakey Biscuits in a narcotics trafficking scheme. Flakey killed Hot, but was able to make it seem like an accident. Flakey was then placed in Witness Protection and given a new identity. Blaze Rize suspected that Flakey WAS responsible for Hot’s death, and sought revenge. Blaze agreed to work for the new Mr. Crime, in exchange for information about Flakey’s new identity and whereabouts. Mr. Crime was able to obtain that information, and Blaze confronted Flakey in a car. Blaze revealed herself to Flakey, explained to Flakey who she was, then shot her (though readers of the strip were not actually shown the gun being fired). Blaze then fled and returned to work for Mr. Crime.
                Blaze was present when Doubleup killed a high-ranking member of the Apparatus, and for the aftermath of the murder. She was the person who picked up Little Face when he was released from prison. Blaze was also present when Panda discovered that Mumbles had killed Vincent Vinyl and fed him to muerte vine, and later when the murder of the remaining members of the Mumbles Quartet was planned.  In each of these cases, she was an accessory to the murders, even if it was after-the-fact.
                Throughout all of this, Blaze never expressed any remorse or hesitation or distaste for the violent criminal acts that were taking place. She occasionally advocated for restraint and subtlety, but that was motivated more by a desire to avoid attracting attention and the risk of getting caught. Contrastingly, Little Face DID see what the Mr. Crime gang was doing, and he said to himself “I don’t want to be a part of this”. He subsequently went to Dick Tracy and became an informant.  Blaze did not do this.
                After the raid on the Panda Agency where the Mr. Crime gang was dismantled, Blaze went into hiding. She apparently resumed her previously occupation as a dominatrix. She was later recruited into the Black Hearts by B-B Eyes. It was in this capacity that she met Notta Fallar, Notta’s brother Purdy, and (later) Lee Ebony in her undercover identity as “T-Bolt”.
                This is where I started to dislike how Blaze was being handled. Blaze was shown to be developing an attraction to Notta Fallar, even though Notta was clearly devious, dangerous, and not to be trusted. I understand how a person can become involved with someone that they know (or should know) is bad for them, but it does not resonate with me as a dramatic device. In this case particularly, we’re never shown WHY Blaze likes Notta. Notta is flirtatious, but otherwise not especially nice to Blaze, so it must be primarily physical/chemistry? There’s also the element of danger and excitement that comes from being involved with Notta, but as we’ll soon see, that’s problematic.
                In addition to her relationship with Notta, readers began to see Blaze express dismay at the state of her life. She didn’t like being beholden to (and forced to work for) B-B Eyes, Mr. Bribery, and the Black Hearts. HOWEVER, that is the ONLY way that her dismay was ever expressed. She never says that she regrets the things she did that put her in the position that she’s in. She never expresses remorse for her criminal activities. For example, if she had said to T-Bolt “I’m tempted to just go to the police and tell them everything I’ve done and take the consequences, just so I can clear my conscience and get out of this criminal lifestyle that I’m trapped in”, THEN I would find her much more sympathetic. That’s a character who is contrite, and acknowledging that there will be (and should be) consequences for their criminal past. But Blaze never does that.
                Much like with Mr. Crime’s gang, The Black Hearts organization is dismantled, but Blaze again manages to avoid capture.  I’ll mention that Blaze appears to be a character of mystery to the police at this point. They seem to be aware of some high-ranking member of the gang who works with B-B Eyes, Doubleup, and Mumbles, but who keeps slipping through the police’s fingers. This is the case despite the fact that Lee Ebony and Little Face both worked closely with Blaze, and would both have been in a position to inform Dick Tracy and the MCU of her identity, appearance, and activities.
                Later, Blaze was shown to be co-habitating with Notta and Notta’s invalid brother Purdy. It was revealed that Notta had a plan to publicly discredit Dick Tracy, and it was implied that Notta had become physically abusive to Blaze. Blaze encountered Lee (in her identity as T-Bolt, at a Laundromat, in a WILDLY implausible coincidence) and once again Blaze expressed her dismay at her situation.
                It is at this point in Blaze’s story that I began to vocalize my displeasure with her at the Dick Tracy Fan Club Facebook page.  As I mentioned, Blaze never shows any remorse for what she’s done- Not the murder of Flakey, not the other deaths in which she was complicit, not the theft and drug trafficking that she engaged in for Mr. Bribery. She is only sad because those things didn’t work out to her advantage and now she’s stuck in an abusive relationship.
                Here’s why this bothers me: The strip’s writer Mike Curtis apparently decided at some point during the Black Hearts storyline that he wanted readers to sympathize with Blaze. As a result, he ramped up the doe-eyed “poor me!” sentiment coming out of Blaze. He also put her in the abusive relationship so that she would appear to be a victim, both of Notta and of circumstance in general.
                But Blaze isn’t a victim. She’s a ruthless killer. She tracked down Flakey Biscuits, pointed a gun at her, calmly told her who she was, and then pulled the trigger. She joined forces with a group of killers and mercenaries, and helped them carry out their plans. When approached by B-B Eyes to join the Black Hearts, she didn’t say “I’d rather die or go to jail than work for you people again”. She went along with it, willingly if not enthusiastically.
                Depicting Blaze as a victim of Notta’s physical abuse doesn’t make me sympathize with her more. It just makes Blaze seem weak. Blaze could hit back, or she could leave Notta, but she doesn’t. I realize that that may sound callous, and I certainly wouldn’t adopt that position with a REAL person who was the victim of abuse, but this is a fictional, constructed reality so the rules are different.
                This brings me back to my complaint, in regards to how Mike Curtis has handled the story/character construction. To borrow a phrase from a film reviewer friend of mine, I can see the strings. Mike CLEARLY wants readers to sympathize with Blaze, and he twists the characters and events into knots to try to accomplish that goal.
                To this end, he has Tracy (who is apparently unaware that Blaze shot Flakey, but I’ll come back to that) reveal to Blaze that Flakey Biscuits did not die of a gunshot wound. Instead, Flakey was found to have been shot in the arm, and the shock of being shot apparently induced a fatal heart attack. Now, within the context of the story, this is supposed to let Blaze Rize off the hook for the murder that readers had thought that she had committed. In reality, though, she would still be legally culpable for Flakey’s death IF Tracy could prove that Blaze was the one who shot Flakey. Legally, if a shooter fires at a victim and the victim has a heart attack and dies from the shock, the shooter can be charged with murder, even if they miss entirely.
                Side note- I don’t know for sure if Tracy was telling Blaze the truth. Consider: Blaze Rize apparently did not examine Flakey to confirm that she was dead before she fled the car when she shot Flakey. If she had, Blaze would have seen that she had only shot Flakey in the arm, and she would have presumably shot again to make sure that Flakey was dead. If Flakey had SURVIVED, she would have been in a position to reveal to the police/FBI who it was who shot her. After all, Blaze identified herself by name, and she looks almost exactly like her deceased sister.
                Again, if Flakey had survived, she would then go back into Witness Protection with a new, different identity. Tracy, knowing that Blaze Rize would be a valuable informant, would want Blaze to be comfortable talking to him, without fear that she might incriminate herself in the death of Flakey. So, Tracy tells Blaze that Flakey is dead, and indicates that “whoever shot Flakey” wasn’t directly responsible for her death. This also helps Tracy inasmuch as Blaze believes that Flakey is dead and will therefore be less likely to try to kill Flakey AGAIN.
                Keep in mind, this is just speculation on my part. If Tracy WAS telling Blaze the truth and Flakey Biscuits really IS dead, then Tracy doesn’t seem especially interested in finding who killed Flakey. As readers, we know that Tracy knows the following information:
1.       Hot Rize was Blaze Rize’s sister
2.       Hot Rize was an associate of Flakey Biscuits
3.       Hot Rize died
Tracy SUSPECTED that Flakey was responsible for Hot Rize’s death, but could not prove it. Therefore, when considering likely suspects in the murder of Flakey Biscuits, Hot Rize’s sister would logically be at the top of the list. But, as readers, we have to assume (based on Tracy’s actions) that Tracy either DOESN’T suspect Blaze, or he doesn’t consider solving the murder of Flakey Biscuits to be very important. If Tracy DID suspect Blaze, and IF he wanted to PROVE that Blaze shot Flakey (because Blaze would presumably not confess to that) then Tracy would have to gather evidence, obtain witnesses, determine if Blaze had an alibi, find the murder weapon, etc. In other words, to find Flakey Biscuits' killer, Dick Tracy would have to engage in detective work, which is not something that he does any more (but this is a complaint for another time).
At the very least, Tracy seems to consider finding the killer of Flakey Biscuits to be less important than gaining Blaze’s information on Notta Fallar and Mr. Bribery. This is another place where the story falls down. Notta’s scheme (in which Blaze is complicit) is to publicly embarrass Dick Tracy by making it appear as if he had had an extra-marital affair – WITH NOTTA. Notta, who is HIGHLY recognizable due to her unique facial hair and wardrobe and would therefore be immediately identifiable as a suspect. There’s also the fact that framing someone for an affair isn’t actually a crime. For that matter, neither is HAVING an affair - just ask Anthony Weiner. At worst, Notta’s scheme amounts to conspiracy to commit libel, which is a civil violation. There was never any implication that Tracy was paying for sex, or conspiring with Notta in a criminal enterprise. At worst, Notta and Blaze were guilty of aiding and abetting an escaped fugitive (Putty Puss).
 The whole frame-up was embarrassing to Tracy, but that’s it. Even then, EVERYONE who knows Tracy knows that he wouldn’t do such a thing, yet Mayor Armstrong (who had previously been depicted as supporting Tracy and the police) was quick to believe the worst and place Tracy on suspension. Tracy then devoted all of his time and energy (along with police department resources) to “clearing his name”, which was resolved almost immediately.
It was at this point that Blaze re-encountered “T-Bolt” and agreed to inform on Notta. We got the facile dismissal of the murder of Flakey Biscuits, and the mind-boggling decision by Tracy to give Blaze two days to settle things with Notta before Tracy would arrive to arrest Notta. This was an amazingly nonsensical move by Tracy, as both Notta and Blaze were CLEARLY flight risks. It was at this late point in the story that an additional layer was added, as it was revealed that Blaze felt protective of Purdy Fallar and wanted to be sure that he would be safe.
Again, I can see the strings. Clearly, this show of tenderness and concern from Blaze was meant to evoke sympathy, but where did it come from? Why did Blaze care so much about Purdy, who is in a persistent vegetative state (basically)? Why so all of a sudden? What reason did Blaze have to believe that Purdy WOULDN’T be safe, either on the run with Notta (as he had been) or as a ward of the state (which is what he ended up being anyway)? Why did Tracy not just follow Blaze back to Notta’s place,  surprise Notta and take her into custody without the risk of Notta fleeing/attacking the police/destroying evidence of criminal wrong-doing?
And that last part is a major sticking point for me. If Tracy had just shown up and arrested Notta, what charge would she face? Conspiracy? Aiding the fugitive Putty Puss? Blaze COULD make an assault charge, but would such a charge really stick? The way the story played out, Notta fired a gun through a window at Tracy and Lizz, so she’s probably facing charges of assault with a deadly weapon and illegal firearm possession. We were told that Notta had been given an "early release" from prison in order to care for Purdy, but it's not made clear if that was in the form of parole (which she would then be at risk of violating) or a reduced sentence. Is there any evidence of her drug trafficking? Or of her association with Mr. Bribery?
This brings me back to my recent complaint on the Facebook group. Blaze Rize, the character who is supposed to have our sympathy, is culpable for at least one death – Flakey Biscuits. She was complicit in at least five other deaths – The Apparatus chairman, Vincent Vinyl, and the three members of the Mumbles Quartet. Even if she didn’t commit the murders herself, she was an accessory after the fact. She was also complicit in every criminal act that the Black Hearts committed after she joined them, including the theft of the gold from the Billion Dollar Limited and the trafficking of whatever controlled substance she was relaying between Notta and Bribery.
The readers know all of this. But how much can Tracy PROVE? He has Little Face’s testimony about Blaze’s activities with the Mr. Crime gang, but there’s a difference between a trustworthy informant and a credible witness who can be put on the stand to testify and secure a conviction. If the District Attorney DID ask Little Face to testify, a skilled defense attorney (like Mr. Kleen) would dismantle him pretty quickly. Now, Lee can shed light on what Blaze did as part of the Black Hearts, but what other evidence is there? How much can Lee reveal without risking giving up her cover identity (assuming she still needs it)? Were there drugs in Notta’s house? Trace amounts on Blaze’s clothes or in her residence?
Also, what does Tracy expect to get from Blaze? Suppose the DA makes a deal with Blaze to overlook MOST of her criminal activities in exchange for information- what can she really provide? Does she know where Mr. Bribery is? Does she know what he’s been up to? Even if she does, what does that amount to? Ordering the wire fraud by Matty Squared and bribing the orderlies at the rest home to secure Putty Puss’ release?
Even if Blaze DOES have valuable information, she’s in the same situation as Little Face, inasmuch as she can’t possibly be considered a credible witness in a criminal trial, even if she DOES provide information that leads to Mr. Bribery’s capture.
My point is this- Blaze Rize is a villain and an unrepentant killer. She should go to jail for a long time, and readers should be satisfied that that is a just end for her. For whatever reason, Mike Curtis decided that he DIDN’T want to do that to her, and he therefore un-artfully tried to manipulate readers into feeling sorry for her. In my case, it didn’t work. I don’t feel sorry for her, and this storyline left me unsatisfied and annoyed.